the journey back alan trachetenberg jstor

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On the other hand, a resurgent European interest in 'America' as symbol suggests a tacit defense among international members of a growing American Studies community of symbolic figuration itself as a means of cultural comprehension. On the one hand, language barriers alone recommend symbolic, iconographie study as a practical means of knowledge production and apprehension in lieu of an alternative common critical idiom. Within the context of the globalization of American Studies and current post-national approaches in the field, this essay argues that the worldwide images that 'America' projects, and the icons by which it is widely identified, retain not only the legitimacy of methodology, but suggest as well their necessity as a cross-cultural epistemology.

Kuklick's critique quietly prevails today, in an age when comparative sociological and ethnographic approaches to the study of American society and culture enjoy a conspicuous, if not uncontested, ascendance, at least in the United States. His is an empiricist's plea against symbolic signification.

As is well known, Kuklick insists that symbolic/semiotic methodologies cannot substitute for material, quantifiable research of 'America' in all its complexity. Our readers have come to expect excellence from our products, and they can count on us to maintain a commitment to producing rigorous and innovative information products in whatever forms the future of publishing may bring.Since at least the appearance of scholar Bruce Kuklick's seminal 1972 statement, 'Myth and Symbol in American Studies,' the conventional 'myths' and 'symbols' that were once synonymous with the discipline largely have lost their former status as a legitimate methodology. Through our commitment to new products-whether digital journals or entirely new forms of communication-we have continued to look for the most efficient and effective means to serve our readership. Since the late 1960s, we have experimented with generation after generation of electronic publishing tools. The Press's enthusiasm for innovation is reflected in our continuing exploration of this frontier. We were among the first university presses to offer titles electronically and we continue to adopt technologies that allow us to better support the scholarly mission and disseminate our content widely. Among the largest university presses in the world, The MIT Press publishes over 200 new books each year along with 30 journals in the arts and humanities, economics, international affairs, history, political science, science and technology along with other disciplines.

The journey back alan trachetenberg jstor